History of English Novel: Intellectual Realism
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History of English Novel: Intellectual Realism From Richardson to Sterne by Ernest A. Baker

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Published by Barnes & Noble Imports .
Written in English

Book details:

The Physical Object
ID Numbers
Open LibraryOL9955566M
ISBN 100064800490
ISBN 109780064800495

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Lehan's book provides readers with an illuminating and readable comprehensive intellectual and literary history of the major American, British, and Continental novels of Realism and Naturalism from to He offers readers a new way of reading these novels-working outward from the text to forms of historical by: The Cambridge History of the English Novel chronicles an ever-changing and developing body of fiction across three centuries. An interwoven narrative of the novel's progress unfolds in more than fifty chapters, charting continuities and innovations of structure, tracing lines of influence in terms of themes and techniques, and showing how greater and lesser authors shape the genre. Professor John Mullan explores the key features of realism and the different ways in which Victorian writers used them. It is often thought that realism is a particular tendency of Victorian fiction, and it is certainly significant that the earliest uses of the word realism to refer to the faithful representation. The Cambridge History of English and American Literature in 18 Volumes (–21). Volume X. The Age of Johnson. II. Fielding and Smollett. § The morality and the realism of the book: the author’s openness of soul.

Literary realism is part of the realist art movement beginning with mid-nineteenth-century French literature, and Russian literature and extending to the late nineteenth and early twentieth century. Literary realism attempts to represent familiar things as they are. Realist authors chose to depict everyday and banal activities and experiences, instead of using a romanticized or similarly stylized .   by Robert GravesThis hugely popular novel is the fictional autobiography of the fourth Roman Emperor. Graves uses this format to present the history of Claudius’s predecessors - . In American literature, the term "realism" encompasses the period of time from the Civil War to the turn of the century during which William Dean Howells, Rebecca Harding Davis, Henry James, Mark Twain, and others wrote fiction devoted to accurate representation and an exploration of American lives in various contexts. The Book of One Thousand and One Nights was first published in Europe from to in French, and then translated immediately into English and German, and was seen as a contribution to Huet's history of romances.

Reading for Realism presents a new approach to U.S. literary history that is based on the analysis of dominant reading practices rather than on the production of texts. Nancy Glazener's focus is the realist novel, the most influential literary form of the nineteenth and twentieth centuries--a form she contends was only made possible by changes in the expectations of readers about pleasure and 5/5(1). Edgeworth's novel Castle Rackrent () is "the first fully developed regional novel in English" as well as "the first true historical novel in English" and an important influence on Walter Scott. Peacock was primarily a satirist in novels such as Nightmare Abbey () and The Misfortunes of Elphin (). Literary realism, in particular, introduced a new way of writing and a new generation of authors whose influence can still be seen in American literature and English literature to this day. The realism art movement of the nineteenth century was a dramatic shift from the exotic and poetic Romanticism that dominated the art world in the decades prior. Magical realism is a fiction genre in which magical elements blend to create a realistic atmosphere that accesses a deeper understanding of reality. The story explains these magical elements as normal occurrences, presented in a straightforward manner that places the "real" and the "fantastic" in the same stream of thought.